Billy (The Days Of Howling)


JOYCE MCMILLAN on BILLY (THE DAYS OF HOWLING) at Oran Mor, Glasgow, for the Scotsman Magazine, 19.3.16. ______________________________________________________

4 stars ****

IT’S NOT the most theatrical show you’ll see this year: presented straight to the audience, by three actors who barely interact throughout, it comes across more as an intense trio for radio, than as a theatre piece.

Yet for all that, it’s hard to a imagine a more timely play – in the age of the rise of Donald Trump – than Fabien Cloutier’s fierce Canadian study of ordinary middle-class rage and loathing in our time. The three characters are Alice’s Mum, an intent, uptight middle-class working mother driving her daughter to nursery, Billy’s Dad, a working-class bloke who pauses to eat donuts on his way to the school, and Admin Lady, a school bureaucrat who cannot get anyone to install a new pin-board in her office.

And while Billy’s Dad is a relatively genial soul, both Alice’s Mum and Admin Lady are possessed by rage, partly against everyone different from themselves (cyclists, ethnic minorities), but particularly against fat people, whom they suspect of stuffing their faces to the point of disability, then sponging off the welfare system.

Needless to say, the cruel assumptions both women make turn out to be false; and Alice’s Mum pays a tragic price for her final uncontrolled outburst of fury. What matters about this play, though, is its fearless exploration of the rise of toxic hatred among what looks like a fairly comfortable and privileged western population. Bureaucracy, alienation – something is driving these people mad. And we need plays like Fabien Cloutier’s to help us explore that truth, before it is finally too late.

Oran Mor, Glasgow, final performance today; Traverse Theatre, Edinburgh, Tuesday-Saturday next week.



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